In Harmony With Nature
GET TO KNOW
Lindsey Taylor, Garden Editor, Landscape Designer, And Floral Stylist
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“A GARDEN IS A COLLABORATION BETWEEN HUMANS AND NATURE AND REQUIRES AN UNDERSTANDING OF WHAT IT TAKES TO MAKE ONE THRIVE AND BEAUTIFUL.”
- Lindsey Taylor
When not overseeing her private clients’ projects, Taylor focuses on her own gardening spaces. Until recently, that’s been her town garden in Beacon, NY, where, she says, she’s been “allowed to plant anything I want — it’s a small, fenced-in yard where anything goes, within reason.” (“I have more there than I should, but since I know what I’m doing, I can keep it under control.”) Soon, though, she’ll be moving to a home in the countryside 10 miles south along the Hudson, in Garrison. “It’s bordered by a state park, on a high elevation with wonderful rock outcroppings,” she says. “There's a lot already there: oaks, hickory, pine, amelanchier, high and low bush blueberry, mountain laurel, little bluestem grass, carex, ferns ...
The approach I’m taking is to mostly edit, adding only what feels right for the setting while working with the existing soil conditions.” In that spirit, she’ll be careful to work with what she finds on site — like wood chips from fallen trees — rather than introducing new soil or mulch. “I want the house to feel like it belongs, and not an intruder.” |
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“I LIKE HOW MORE PEOPLE HAVE BECOME INTERESTED IN GARDENING AND LEARNING ABOUT A WIDER RANGE OF PLANTS THAT CAN HELP AND WORK WITH OUR ECOSYSTEM RATHER THAN AGAINST.”
This perspective, she says, is emblematic of changing ideas about what should be grown where. “I like how more people have become interested in gardening and learning about a wider range of plants — their proper names, and plants that can help and work with our ecosystem rather than against. More people, it seems, have expanded their palettes and are responding to a wilder look, thinking about what they are doing and whether it’s beneficial to the environment, which means creating gardens that aren’t dependent on natural resources and chemicals to survive.” “GARDENS TAKE TIME AND PATIENCE TO BECOME WHO THEY WANT TO BE, AND THEY TAKE WORK – LOTS OF IT.” Designing a garden in sympathy with its existing flora is a valuable lesson for gardeners of all abilities — especially at a cultural moment when anything is possible, for the right price, whether it’s good for the environment or not. “We have a chance to learn more about working with existing conditions — seeing what you can do to give a garden more layers of seasonal interest using native shrubs, trees, and perennials, all while taking a very light touch,” she says. From there, her approach is intuitive. “There's planning and research that goes into all my work, but when it comes to my own gardens, I tend to work from my head, not a plan,” she says. “I’ll make lists of plants I'd like to include — usually in the winter when I have down time — and sketch out some ideas. I'm more like an abstract artist with a blank canvas pushing around the paint until I get to a point where I stand back and can say, ‘I think that's it!’ But unlike with a finished painting, the work with a garden never stops.” |