GET TO KNOW CUSTODIAN STUDIO AND FORAGER CO., BUSINESSES THAT HARNESS THE RITUAL OF SWEEPING
GET TO KNOW
Custodian Studio and Forager Co., businesses that
harness the ritual of sweeping
Story by Diana Keeler
Custodian founder Erin Rouse was inspired by Shaker design to begin her custom-made
broom company, while Forager Co. Founder Bryan Norris found inspiration for his exquisitely wrought
dust pans and brooms by collaborating with a community of Amish craftsmen. Although geographically
hundreds of miles apart, Erin and Bryan are united by a shared passion for turning plain,
utilitarian tools (like brooms) into objects that are also beautiful and thoughtful. And they both
love the purposeful act of sweeping.
In troubled times, repeated acts take on new significance —and those
acts, with the right tools, can become a sort of ritual practice of
home-keeping and custodianship. Look no further for proof than the work
of Erin Rouse, who has devoted her recent creative work to the
craftsmanship of brooms. Rouse studied sculpture at Rice University in
Texas before relocating to New York City, where she held various
positions in close proximity to beautiful objects: at an auction house,
within the editorial department at Martha Stewart Living, and then for
renowned New York lighting designer Lindsey Adelman, who covers workshop
expenses for employees devoted to learning new skills.
Top left: Custom broom maker, Erin Rouse, at work in her
Brooklyn studio.
Top right: Erin’s 1890 kick winder broom machine.
Above: A finished Shaker-style broom by Custodian.
Above left: The brush is made from a low-water variety of
sorghum that’s grown and processed in North America.
Left: The raw copper wire that binds the brush together is made
by Parawire, the oldest wire company in the New York area.
Top: Erin’s 1890 kick winder broom machine.
Above: A finished Shaker-style broom by Custodian.
Below: Custom broom maker, Erin Rouse, at work in her Brooklyn
studio.
Bottom: The brush is made from a low-water variety of sorghum
that’s grown and processed in North America. The raw copper wire
that binds the brush together is made by Parawire, the oldest
wire company in the New York area.
An interest in Shaker design heralded an interest in broom-making, and
to delve into it more deeply, Rouse tracked down “a very cranky old
Maine guy” living in New Hampshire to provide instruction. “I did
intensive broom lessons with him for a week, then spent months scouring
the Internet —finally finding this Yahoo chat group where all the
broom-makers in America meet,” says Rouse, who found broom-making a good
fit from the start. “It’s really low technology. I'm not a computer
wizard; I’m more of a luddite —and broom technology hasn't evolved much
since the 1800s.” And so, Custodian, her line of custom-made brooms, was
born.
“There’s something really important about taking care of the space that you're
in, about being a custodian of your space.” – Erin Rouse, Custodian
In addition to their obvious practical value, Rouse
views brooms both as objects of beauty (“their shape is
so attractive, with the contrast of the nice, smooth
handle and the wildness of the fan”) and as “objects of
transformation—they're associated with witches and
changing your energy.” There’s additional energetic
realignment inthe simple act of sweeping. “There’s
something really important about taking care of the
space that you're in, about being a custodian of your
space,” she says. “I just think it feels so good and
soothing, to get off the couch and move your body and do
something purposeful.”
A reinterpreted Turkey Wing broom with cotton cord.
A reinterpreted Turkey Wing broom with cotton cord.
Broom samples with different colored handles and natural-dyed sorghum brush.
For Bryan Norris, who runs his Forager Co. in Lancaster County,
Pennsylvania, the tools of custodianship provide not just a design
challenge but an opportunity for creative collaboration with his
community: Amish artisans. “My way of working is to seek out what
someone is good at —and if [that skill] resonates with me, I’m
inspired to collaborate,” Norris says. “I work with an Amish harness
maker, broom-maker, rug maker, and furniture makers.” Some of those
talents are evident in Forager’s collection of exquisitely wrought
dustpans and hearth broom, rendered in wood and leather. “These
pieces for Bloomist share a deep connection to the land, which
resonates through many Amish-made goods,” he says. “The dustpan and
broom are great examples of the things we use often that can be
beautiful and thoughtful, rather than plain and utilitarian.”
“Sweeping is a form of walking meditation just as much as it’s a form of
exercise for our bodies.” – Bryan Norris, Forager Co.
Top: Forager Co. custom broom making studio.
Above left: An artisan in the Forager Co. studio.
Above: Fireplace hearth broom with leather handle.
Left: Leather trimmed walnut wood dustpan with leather handle.
Top: Forager Co. custom broom making studio.
Above: Fireplace hearth broom with leather handle.
Below: An artisan in the Forager Co. studio.
Bottom: Leather trimmed walnut wood dustpan with leather handle.
Like Rouse, Norris returns to the simple act of sweeping as a form of
ritual. “Sweeping is a form of walking meditation just as much as it’s a
form of exercise for our bodies,” he says. “It establishes that
mind-body connection, all while accomplishing a task.” Such an act has
an important place during a time of international emergency and
heightened tension. “I think that for many people, the acts of cleaning
and reorganizing —both in a mental and physical way — have become a part
of this corona living.
For some it will be an option, and sadly for others, it will be a very
hard fact,” he says. “The symbolism of a clean sweep is perhaps more
important now than ever: Will the planet look cleaner after all of this
unfolds? Will our homes?” With careful practice and mindful repetition,
the answer could be yes —if we want it.
GET TO KNOW
Custodian Studio and Forager Co., businesses that harness the ritual of sweeping
Story by Diana Keeler
Custodian founder Erin Rouse was inspired by Shaker design to begin her custom-made broom company, while Forager Co. Founder Bryan Norris found inspiration for his exquisitely wrought dust pans and brooms by collaborating with a community of Amish craftsmen. Although geographically hundreds of miles apart, Erin and Bryan are united by a shared passion for turning plain, utilitarian tools (like brooms) into objects that are also beautiful and thoughtful. And they both love the purposeful act of sweeping.
In troubled times, repeated acts take on new significance —and those acts, with the right tools, can become a sort of ritual practice of home-keeping and custodianship. Look no further for proof than the work of Erin Rouse, who has devoted her recent creative work to the craftsmanship of brooms. Rouse studied sculpture at Rice University in Texas before relocating to New York City, where she held various positions in close proximity to beautiful objects: at an auction house, within the editorial department at Martha Stewart Living, and then for renowned New York lighting designer Lindsey Adelman, who covers workshop expenses for employees devoted to learning new skills.
Top left: Custom broom maker, Erin Rouse, at work in her Brooklyn studio.
Top right: Erin’s 1890 kick winder broom machine.
Above: A finished Shaker-style broom by Custodian.
Above left: The brush is made from a low-water variety of sorghum that’s grown and processed in North America.
Left: The raw copper wire that binds the brush together is made by Parawire, the oldest wire company in the New York area.
Top: Erin’s 1890 kick winder broom machine.
Above: A finished Shaker-style broom by Custodian.
Below: Custom broom maker, Erin Rouse, at work in her Brooklyn studio.
Bottom: The brush is made from a low-water variety of sorghum that’s grown and processed in North America. The raw copper wire that binds the brush together is made by Parawire, the oldest wire company in the New York area.
An interest in Shaker design heralded an interest in broom-making, and to delve into it more deeply, Rouse tracked down “a very cranky old Maine guy” living in New Hampshire to provide instruction. “I did intensive broom lessons with him for a week, then spent months scouring the Internet —finally finding this Yahoo chat group where all the broom-makers in America meet,” says Rouse, who found broom-making a good fit from the start. “It’s really low technology. I'm not a computer wizard; I’m more of a luddite —and broom technology hasn't evolved much since the 1800s.” And so, Custodian, her line of custom-made brooms, was born.
“There’s something really important about taking care of the space that you're in, about being a custodian of your space.” – Erin Rouse, Custodian
In addition to their obvious practical value, Rouse views brooms both as objects of beauty (“their shape is so attractive, with the contrast of the nice, smooth handle and the wildness of the fan”) and as “objects of transformation—they're associated with witches and changing your energy.” There’s additional energetic realignment inthe simple act of sweeping. “There’s something really important about taking care of the space that you're in, about being a custodian of your space,” she says. “I just think it feels so good and soothing, to get off the couch and move your body and do something purposeful.”
A reinterpreted Turkey Wing broom with cotton cord.
A reinterpreted Turkey Wing broom with cotton cord.
Broom samples with different colored handles and natural-dyed sorghum brush.
For Bryan Norris, who runs his Forager Co. in Lancaster County, Pennsylvania, the tools of custodianship provide not just a design challenge but an opportunity for creative collaboration with his community: Amish artisans. “My way of working is to seek out what someone is good at —and if [that skill] resonates with me, I’m inspired to collaborate,” Norris says. “I work with an Amish harness maker, broom-maker, rug maker, and furniture makers.” Some of those talents are evident in Forager’s collection of exquisitely wrought dustpans and hearth broom, rendered in wood and leather. “These pieces for Bloomist share a deep connection to the land, which resonates through many Amish-made goods,” he says. “The dustpan and broom are great examples of the things we use often that can be beautiful and thoughtful, rather than plain and utilitarian.”
“Sweeping is a form of walking meditation just as much as it’s a form of exercise for our bodies.” – Bryan Norris, Forager Co.
Top: Forager Co. custom broom making studio.
Above left: An artisan in the Forager Co. studio.
Above: Fireplace hearth broom with leather handle.
Left: Leather trimmed walnut wood dustpan with leather handle.
Top: Forager Co. custom broom making studio.
Above: Fireplace hearth broom with leather handle.
Below: An artisan in the Forager Co. studio.
Bottom: Leather trimmed walnut wood dustpan with leather handle.
Like Rouse, Norris returns to the simple act of sweeping as a form of ritual. “Sweeping is a form of walking meditation just as much as it’s a form of exercise for our bodies,” he says. “It establishes that mind-body connection, all while accomplishing a task.” Such an act has an important place during a time of international emergency and heightened tension. “I think that for many people, the acts of cleaning and reorganizing —both in a mental and physical way — have become a part of this corona living.
For some it will be an option, and sadly for others, it will be a very hard fact,” he says. “The symbolism of a clean sweep is perhaps more important now than ever: Will the planet look cleaner after all of this unfolds? Will our homes?” With careful practice and mindful repetition, the answer could be yes —if we want it.
