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After discovering pottery while traveling in Japan, graphic designer, Bob Dinetz took to the pottery wheel and never looked back. Today, some 6 years later, Bob is an accomplished potter known for crafting simple, functional, effortless looking ceramics in natural, nuanced glazes. Bob recently hand-threw a collection of pieces for Bloomist.
Trained as a graphic designer, Bob Dinetz has worked with some of the biggest brands in the world: Apple, The New York Times, the San Francisco Museum of Modern Art. Reviewing his portfolio, itโs easy to see some similarities with his six-year-old pottery practice, a sense of visual economy perhaps chief among them. โThe link between design and pottery for me is simplicity and functionality โ hopefully without being boring,โ says Dinetz, who is based in the Bay Area. โMy goal in both disciplines is to use only as much design as necessary in hopes of achieving an effortlessness look.โ The differences, though, may be what matter most: โWith the graphic design work, itโs necessary to combine a brandโs voice, or a clientโs requirements, with what feel's right for the assignment,โ he says. โWith the pottery, I have an opportunity to be the author of the content โ Iโm not responding to an assignment. I get to create an object and then see if thereโs any kind of audience for it.โ Heโs found that audience in rather short order.
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